Open Design : A Stakeholder-oriented Approach In Architecture, Urban Planning, And Project Management: Collecting The Following Works: Open Design, A Collaborative Approach To Architecture, Open Design And Construct Management, [and] Open Design, Cases And Exercises
Open Design refers to a stakeholder-oriented approach in Architecture, Urban Planning, and Project Management, as developed by the Chair of Computer Aided Design and Planning of Delft University of Technology. This edition collects the following three volumes on Open Design: 1) Open Design, a Collaborative Approach to Architecture, offering concepts and methods to combine technical and social optimization into one integrated design process; 2) Open Design and Construct Management, Managing Complex Construction Projects through Synthesis of Stakeholder Interests, offering a new approach to managing complexity by distinguishing best management practices for complex projects involving considerable uncertainty and risk and best practices for straightforward predictable projects; and 3) Open Design, Cases and Exercises, enabling the reader to become familiar with the decision-oriented design tools of Open Design, and their application in practice.
This provocative book challenges long-held assumptions about the nature of historical consciousness in Germany. Susan A. Crane argues that the ever-more-elaborate preservation of the historical may actually reduce the likelihood that history can be experienced with the freshness and individuality characteristic of the early collectors and preservationists. Her book is both a study of the emergence in late eighteenth- and early nineteenth-century Germany of a distinctively modem conception of historical consciousness, and a meditation on what was lost as historical thought became institutionalized and professionalized.
Public forms of remembering the past which are familiar today, such as historical museums and historical preservation, have surprisingly recent origins. In Germany, caring about the past took on these distinctively new forms after the Napoleonic wars. The Brothers Grimm gathered fairy tales and documented the origins of the German language. Historical preservationists collected documents and artifacts and organized the conservation of cathedrals and other historic buildings. Collectors formed historical societies and created Germany's historical museums. No single national consciousness emerged; instead, many groups used similar means to make different claims about what it meant to have a German past.
A reprint of the classic book written by Edward J. Nankivell, a member of the Institute of Journalists in London and an avid stamp collector. He wrote this book to promote the virtues of stamp collecting as a healthy recreation for everyone from the Price of Wales to ordinary school children. It was originally published in 1902. The timelessness of his lively arguments is apparent by their validity today. This book presents a fascinating and charming look at early stamp collecting. Its very readable narrative also provides a delightful glimpse into the wider world of pre-World War I England. The original book included a substantial section offering stamps and stamp collecting equipment from the original publisher. That section, as well as other illustrations, has been reproduced here and offers a unique look at the stamp collecting world of yesterday. Completely reformatted and typeset for readability.